Labels

Wednesday, May 2, 2012

See this: Graphic recording

So we want to be magazine designers?  What about graphic facilitators!

I saw this story featured on NBC and wanted to share.  People are getting hired to graphically guide company meetings and discussions.   The goal is to help bring conversation and maybe inspire new thinking in the process.

Here are some examples:






The story is on the merit of the technique.  Is it worth is to hire people as professional doodlers?

I say yes.  There are many people, not just us designers, who are visual learners.   Staring at a board with a bunch of text can be intimidating and discourage people.  Breaking down text into graphics is a great way to make information more accessible and will probably bring about more creative ideas.   I would much rather stare at those boards, than a Powerpoint of words.

Story from NBC
Photos from Maga Design Blog

Response: Website

For those of you who haven't been to my website, check it out



It took me awhile to navigate Cargo Collective and see which template I would be using for my website. I tend to always use black and white in direct contrast, so I thought this "Amsterdam" template worked well and emphasized my bold designs.

The categories are not yet organized, as I mentioned Thursday, but I wanted to give some sort of idea what the final product would be.

I don't even know if I will stick with this template, but I do like how it compliments my logo.
There was a lot of discussion about my logo maybe being too bold in regards to the rest of the website.  I like that.  My designs aren't always polished, but I do have a lot of ideas and like to push boundaries.  I think if I were to put that logo on my resume, or a business card, then it would stand out and really capture my aesthetic without being seen with other design elements. To me, that's what a brand should do.  I don't want the logo to take over my website, but at the same time, I really don't think four colors in a black and white box is going to trip people out too much.  I may make it a bit smaller.

I also wanted to explain, in better words, why I like the white box in my logo.   I love the stark contrast.  You can't get colors more opposing than black and white, yet they compliment each other so well.  I think that no matter what, those colors paired together stand out to any eye.  The bright colors represent more of the funky side to me and my designs.  Being from Vegas, a place known for its neon and nightlife, I don't ever think there can be too many bright colors.  I am definitely a product of my city.  What I like about this design is that the colors meet and clash in the white box, where your eye is naturally drawn.  It makes you think and look a second longer.  It's always most interesting where two opposing forces meet, and that to me, is beautiful.  This ideology isn't something I insist on having in all of my designs, because I always first want to tell the story accurately and appropriately.  But when it comes to branding myself, this feels right.
So, while I know a lot of you disagreed with the white box, I think something would be seriously lost in the logo without it.  It's bold, it doesn't make perfect sense, but it's me.  I'm not changing it yet.

Next week I'll be adding my resume and trying to figure out how to categorize and describe each of my designs.  I am thinking about adding a description under each individual thumbnail on the homepage, and am also playing around with the idea of having my page open to a separate splash page that one has to click on to see this one first.

I don't know a lot about css, but hopefully a day at the coffee shop will at least produce me a solid, workable website to begin showing prospective employers.

Any more feedback is definitely encouraged!






Critique: Final book cover


The feedback I got from Missouri Press Association led me to change my final cover quite a bit.  From their critique of everyone's individual covers, I gathered that they really wanted to utilize color while still keeping the covers professional.  They had wanted me to make my white box less opaque to show more of Smith, but I decided to switch the white to blue to make her even more visible.  I also zoomed in on her and upped the contrast in Photoshop so she stood out more.

I also added an emboss to "Madam Chairman" and put the dek in white bars to mimic the flag and also make the words more legible.  
Overall, this cover wasn't what I had envisioned, but I do want to give the judges an option they think could work for their readers.  I hope this was a bit more on the mark.



Wednesday, April 25, 2012

Critique: Talk Show Covers

I don't want to go through my whole thought process on these before I present tomorrow, so I'll just give you the sneak preview now.  Here are my three awesome cover designs for the David Lile feature issue.


1.


2.


3.


I'm really excited about these because according to the schedule, they should come out the Thursday before graduation!!   It would be great to have my friends and family in town to see them on the stands.

=]

Response: 20/10 Presentation

I have to say, I was surprised with the informality of the book cover presentations.  The people from Missouri Press Association were very nice and the whole atmosphere was casual.

I'm not surprised by their comments on my designs.



Meh.


Nice, but too bold for the author.


Too dark, will scuff too easily.



We settled on this one.  Revisions to follow will be to enlarge the photo and make a tighter crop of MLS.  I want to make the dek and byline more prominent, as well as lightning the opacity of the white box just a tad.

Stay tuned!

See this! Motif Magazine

The flaws I find in most of my designs are related to typography.  I'm good at choosing bold, headline texts and even dek typefaces, but when it comes to the smaller body copy and other blurbs, I could use a little finesse.   The blog I've been following, Design Observer, has a whole category dedicated to typography.  Since there weren't any posts this week that interested me, I went back in the archives and found some great shots of Motif magazine, which of course, has beautiful typography.

Motif was only published between 1958 and 1967, with 13 issues.
It's subject was "visual culture" and so contained a lot of the fine arts, graphic arts, architecture, lettering and photography.  Even though Motif didn't survive through the '60s, I think it's so well executed and contains content many would still be interested in today.  If it was brought back, it may have a chance.
I know I'd subscribe.

Here are some pages I found particularly appealing:


Motif no. 11, Winter 1963/4. Cover: Eduardo Paolozzi


Motif no. 3, September 1959. Cover: John Griffiths


Typography no. 6, Summer 1938. Published by James Shand at the Shenval Press


& my personal favorite...



Motif no. 7, Summer 1961. Cover: Alan Davie. Publisher: The Shenval Press


“Sans on Buildings, or What Happened before Architects Started Using Type Books.” 
Photographs taken in Brighton, England by John Woodcock. Motif no. 6, Spring 1961



Wednesday, April 18, 2012

See this: Perfection in Imperfection

While flipping through HOW magazine, I came across this cookbook by Janice Wong.  It was her inspiration which combines food, design and the search for perfection in the imperfect.
The pages are gorgeous.  I've never seen food so beautiful and I want this book on my coffee-table ASAP.  Here's some of the images from the book:  





If you're interested you should really read more about it.  I'm not near my magazine, but if I remember correctly, some of the page tips were hand-dipped in black dye.  The cover treatment was fascinating as well.
This book served as my inspiration for the food-planning assignment.

MMMmmm